shutterangle.com Report : Visit Site


  • Ranking Alexa Global: # 5,747,376

    Server:LiteSpeed...

    The main IP address: 198.136.50.157,Your server United States,Orlando ISP:HostDime.com Inc.  TLD:com CountryCode:US

    The description :shutter angle the science and magic of shooting moving pictures home about follow on twitter introducing slimraw: a fast cinemadng raw video compressor april 22, 2015 by cpc in uncategorized cinemadng...

    This report updates in 12-Aug-2018

Created Date:2012-02-25
Changed Date:2018-02-17

Technical data of the shutterangle.com


Geo IP provides you such as latitude, longitude and ISP (Internet Service Provider) etc. informations. Our GeoIP service found where is host shutterangle.com. Currently, hosted in United States and its service provider is HostDime.com Inc. .

Latitude: 28.541507720947
Longitude: -81.374137878418
Country: United States (US)
City: Orlando
Region: Florida
ISP: HostDime.com Inc.

HTTP Header Analysis


HTTP Header information is a part of HTTP protocol that a user's browser sends to called LiteSpeed containing the details of what the browser wants and will accept back from the web server.

Content-Encoding:gzip
Transfer-Encoding:chunked
Accept-Ranges:bytes
Vary:Accept-Encoding
Server:LiteSpeed
Connection:close
Date:Sat, 11 Aug 2018 23:54:30 GMT
Content-Type:text/html; charset=UTF-8
X-Pingback:http://www.shutterangle.com/xmlrpc.php

DNS

soa:ns29.domaincontrol.com. dns.jomax.net. 2016101600 28800 7200 604800 3600
ns:ns30.domaincontrol.com.
ns29.domaincontrol.com.
ipv4:IP:198.136.50.157
ASN:33182
OWNER:DIMENOC - HostDime.com, Inc., US
Country:US
mx:MX preference = 10, mail exchanger = mailstore1.secureserver.net.
MX preference = 0, mail exchanger = smtp.secureserver.net.

HtmlToText

shutter angle the science and magic of shooting moving pictures home about follow on twitter introducing slimraw: a fast cinemadng raw video compressor april 22, 2015 by cpc in uncategorized cinemadng lossless compression has been an interest of mine for some time. i’ve described a possible workflow before . but it had some issues and the (lack of) speed was annoying, to say the least. so i’ve been thinking about a better solution. this led to the creation of slimraw . a fast cinemadng compressor developed by yours truly. read more shooting 4k video for 2k delivery: the bit depth advantage june 3, 2014 by cpc in uncategorized the first cheapish 4k cameras are here. panasonic gh4 is out and sony a7s is on the horizon. but nobody needs 4k, right? there is still a lot to be had from shooting in 4k though. shooting 4k for 2k/1080p delivery has a couple of advantages. first, you generally get sharper images after the downscale from 4k to 2k in post compared to shooting 2k in-camera. second, there is increased color precision in the downscaled image. you get 10-bit 2k video from 8-bit 4k video, or 12-bit 2k video from 10-bit 4k video. this advantage is sometimes misunderstood, some people go as far as saying there isn’t any (spoiler: they are wrong). so here is an explanation with examples. read more lossless compression for dng raw video march 27, 2014 by cpc in uncategorized there are a lot of good things about raw video but data size is not amongst them. uncompressed raw video can quickly add up and fill storage. one way of handling the size problem in post-production is to do some initial adjustments on the raw video, then bake to a lossily compressed format like prores, dnxhd or cineform and only keep the compressed video for further post and/or archiving of the source material. the downside of this approach is that a bit of image integrity and re-processing options are ultimately sacrificed in lossy compression, which is not exactly the goal of optimal archiving and image quality. this article describes an alternative simple workflow for lossless compression of dng/cinemadng video footage, and also introduces dngstrip – an utility that’s used to optimize file size. lossless dng compression allows a reduction in video file size while preserving all the benefits of a raw post workflow. read more creating depth, part 3: light, color and more on deep staging march 20, 2013 by cpc in uncategorized the third part of the creating depth series is mostly about light and color, and how they impact depth perception. there is also a section on camera and subject placement and how to maximize available space as a mean to increase image depth. read more creating depth, part 2: perspective february 17, 2013 by cpc in uncategorized the second part of the creating depth series is about perspective. while people usually think linear perspective when they read perspective, i will also put tonal and color perspective here. all these are concerned with perceptual properties changing with distance from the viewer, and they happen to provide major depth cues in an image. this article also explores the relationship between lenses and space representation. read more creating depth, part 1: introduction, dof, deep staging, resolution november 24, 2012 by cpc in uncategorized depth perception is a basic ability of human vision. it is through depth that we judge distances and spatial relations. but depth is inherently a three-dimensional concept. so capturing the three-dimensional world as a two-dimensional image presents challenges when striving to preserve depth. these challenges are mostly related to the fact that, unlike the real world, two-dimensional images lack stereo cues, and stereo vision is a major component of the mechanics of depth perception. this is one limitation that 3d cinema tries to overcome. this article is about 2d images though, and the ways to exploit stereo unrelated (monocular) cues to suggest depth. read more book review: the art and technique of digital color correction november 10, 2012 by cpc in book reviews color processing was used with film even before the adoption of color film. hand painted animation or monochromatic dyed prints were common more than a century ago. the art of color timing came to prominence with color film though. timing , itself, related to the duration of the various chemical baths. chemistry was later mostly replaced by colored printing lights and color manipulation usually happened during intermediate printing. then digital intermediate came and changed cinematography significantly. read more choosing lenses for video october 20, 2012 by cpc in uncategorized choosing lenses for video can be a difficult task. if you haven’t shot much before (either photos, or video) you will likely have problems identifying the appropriate focal lengths and maximum apertures, let alone actual lenses. the best way to get over this phase is to shoot some – preferably with a zoom lens to get acquainted with various focal lengths and what they have to offer. this article doesn’t touch the subject of focal length selection, which is largely a creative decision. instead, it offers some considerations related to the use of still photo lenses for video work. it is centered on hddslrs and large sensor video cameras with photo mounts. read more cinematic look, part 4: film grain september 17, 2012 by cpc in uncategorized film grain is possibly the single most differentiating factor of film images when compared to digital images (in both stills and video). it is also the first characteristic of the film look the average viewer would pick if they had to point their finger. this part of the cinematic look series explores some of the properties of film grain and how film grain relates to image perception. we also talk a bit about digital sensor noise, which is the closest perceptual relative of film grain in the digital video world. read more exposure tools for digital video, part 2 september 7, 2012 by cpc in uncategorized the first part of this exposure tools overview article introduced the topic and covered histogram, zebras and waveform monitor. we are now continuing the summary with a few more tools: false color, spot displays, external light meters. familiarity with all these instruments is a prerequisite for good technical understanding and creative handling of various exposure tasks. read more exposure tools for digital video, part 1 august 17, 2012 by cpc in uncategorized on the formal level, exposure is the amount of light that reaches the image-capturing medium. it is determined by the sensitivity of the medium, the illuminance at the image plane and the exposure time. setting exposure is one of the most important artistic decisions and probably the most important technical decision for a shot because it governs the distribution of tones in the image. with film, exposure choice requires good knowledge of the available exposure latitude and the dynamic range distribution of the emulsion. light levels are measured with a light meter and the exposure can be further adjusted for optimal tonality based on properties like scene mood, vision or simply personal preferences. read more book review: light – science & magic july 16, 2012 by cpc in book reviews light – science & magic by fil hunter, steven biver and paul fuqua is probably the most important book on lighting that you will ever read. moreover, if you only ever read one book on lighting, make it this one. this is, indeed, a rather bold statement. in fact, some readers who are new to shooting images may actually be puzzled by this praise once they read the actual book. the information there can be fully appreciated after you’ve fought a bit with real-world lighting problems. read more color matching lenses for video june 25, 2012 by cpc in uncategorized traditionally, cine lenses have been color matched. careful selection of glass and coatings results in consistent color and images t

URL analysis for shutterangle.com


http://www.shutterangle.com/2013/creating-depth-perspective/
http://www.shutterangle.com/tag/aspect-ratio/
http://www.shutterangle.com/#tab-atom-tag-cloud-4
http://www.shutterangle.com/tag/exposure/
http://www.shutterangle.com/2012/exposure-tools-for-digital-video-part-1/#more-1000
http://www.shutterangle.com/2012/cinematic-look-aspect-ratio-sensor-size-depth-of-field/#more-14
http://www.shutterangle.com/2012/cinematic-look-film-grain/
http://www.shutterangle.com/tag/frame-rate/
http://www.shutterangle.com/tag/picture-style/
http://www.shutterangle.com/2012/choosing-lenses-for-video/#more-1190
http://www.shutterangle.com/tag/canon-dslr/
http://www.shutterangle.com/2012/frame-rate-artistic-choice-silent-movies/
http://www.shutterangle.com/2014/shooting-4k-video-for-2k-delivery-bitdepth-advantage/
http://www.shutterangle.com/2012/book-review-photographers-eye-michael-freeman/
http://www.shutterangle.com/feed/

Whois Information


Whois is a protocol that is access to registering information. You can reach when the website was registered, when it will be expire, what is contact details of the site with the following informations. In a nutshell, it includes these informations;

Domain Name: SHUTTERANGLE.COM
Registry Domain ID: 1704063990_DOMAIN_COM-VRSN
Registrar WHOIS Server: whois.godaddy.com
Registrar URL: http://www.godaddy.com
Updated Date: 2018-02-17T12:29:18Z
Creation Date: 2012-02-25T22:58:08Z
Registry Expiry Date: 2020-02-25T22:58:08Z
Registrar: GoDaddy.com, LLC
Registrar IANA ID: 146
Registrar Abuse Contact Email: [email protected]
Registrar Abuse Contact Phone: 480-624-2505
Domain Status: clientDeleteProhibited https://icann.org/epp#clientDeleteProhibited
Domain Status: clientRenewProhibited https://icann.org/epp#clientRenewProhibited
Domain Status: clientTransferProhibited https://icann.org/epp#clientTransferProhibited
Domain Status: clientUpdateProhibited https://icann.org/epp#clientUpdateProhibited
Name Server: NS29.DOMAINCONTROL.COM
Name Server: NS30.DOMAINCONTROL.COM
DNSSEC: unsigned
URL of the ICANN Whois Inaccuracy Complaint Form: https://www.icann.org/wicf/
>>> Last update of whois database: 2019-08-10T19:14:06Z <<<

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The Registry database contains ONLY .COM, .NET, .EDU domains and
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  REGISTRAR GoDaddy.com, LLC

SERVERS

  SERVER com.whois-servers.net

  ARGS domain =shutterangle.com

  PORT 43

  TYPE domain

DOMAIN

  NAME shutterangle.com

  CHANGED 2018-02-17

  CREATED 2012-02-25

STATUS
clientDeleteProhibited https://icann.org/epp#clientDeleteProhibited
clientRenewProhibited https://icann.org/epp#clientRenewProhibited
clientTransferProhibited https://icann.org/epp#clientTransferProhibited
clientUpdateProhibited https://icann.org/epp#clientUpdateProhibited

NSERVER

  NS29.DOMAINCONTROL.COM 97.74.104.15

  NS30.DOMAINCONTROL.COM 173.201.72.15

  REGISTERED yes

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